MONOGRAPH

Malay-Hong Kong Film Connections (working title, under contract with

Edinburgh University Press)

JOURNAL ARTICLE

"Recognising Southeast Asia Through the Making of a Nanyang Other: Hong Kong-produced Nanyang Black Magic Films (1970s-1980s)", Screen, forthcoming 2026. 

MONOGRAPH, CO-AUTHOR WITH WONG HAN MIN

Singapore’s Screening Spaces (under contract with Pagesetters; forthcoming Jan 2026)

JOURNAL ARTICLE

Fiercely Independent, Tentatively National: The Three Made-in-Hong Kong Malay-language James Bond Films”, Journal of Asian Studies, Vol.84, No.1 (2025), pp.30-54.

journal article

“Transnationalizing Malay Cinema: P. Ramlee in Hong Kong”, Journal of Southeast Asian Studies, Vol.55, Iss.1 (2024): pp.145-169

BILINGUAL ARTICLE IN CO-EDITED VOLUME

“Forum Theatre”, in Quah Sy Ren ed. Drama Box: 30 Keywords. Singapore: Drama Box and Pagesetters, 2022, pp.64-71.

〈论坛剧场〉，见于柯思仁编《戏剧和30关键词》（新加坡：戏剧盒与创页服务私人有限公司，2022年），页64-71。

BILINGUAL ARTICLE IN CO-EDITED VOLUME

“ARTivate”, in Quah Sy Ren ed. Drama Box: 30 Keywords. Singapore: Drama Box and Pagesetters, 2022, pp.248-253.
 

〈艺树人〉，见于柯思仁编《戏剧和30关键词》（新加坡：戏剧盒与创页服务私人有限公司，2022年），页248-253。

BOOK REVIEW

“Speaking Nations, Edge Ways - Reviews of Postcolonial Hangups in Southeast Asian Cinema: Poetics of Space, Sound and Stability by Gerald Sim, Amsterdam University Press, 2020; and Southeast Asia on Screen: From Independence to Financial Crisis (1945 – 1998) edited by Gaik Cheng Khoo, Thomas Barker, and Mary Ainslie, Amsterdam University Press, 2020”, Global Storytelling: Journal of Digital and Moving Images, Vol.1, No.2 (2022): no page number.

JOURNAL ARTICLE, CO-AUTHOR WITH TOH HUN PING

 “The Relationship between Anarchism and the Film Industry in Malaya: A Preliminary Investigation into the Role of the Nanyang Film Company as Contact Point in the 1925 Kuala Lumpur Bomb Outrage (馬來亞無政府主義運動的電影牽繫：1925 年吉隆坡爆炸案中南洋影片公司的聯絡站角色初探)”, Taiwan Journal of Southeast Asian Studies (台灣東南亞學刊), Vol.15, No.2 (2020): pp.5-32

MONOGRAPH

Our Cinema, Our Home: Amoy-dialect Cinema and Dialect Identity Transformations in Singapore and Malaya (1948-1966) (我们的电影，我们的家：厦语电影与新马厦语身份的渐变 (1948-1966)). Singapore: Centre for Chinese Studies, Singapore University of Social Sciences and World Scientific Publishing, 2020.

BOOK REVIEW, CO-AUTHOR WITH FLAIR SHI DONG LAI

“Hee Wai Siam (许维贤), Post-Malaysian Chinese-language Film: Accented Style, Sinophone and Auteur Theory (华语电影在后马来西亚：土腔风格、华夷风和作者论). (Taipei: Lianjin, 2018)”, East Asian Journal of Popular Culture, Vol.4, Iss. 2 (2018): pp.165-170.

CO-EDIT WITH SU ZHANG KAI AND TOH HUN PING

Xue Ni Fang Zong: Zhuang Xue Fang (雪霓芳踪：莊雪芳). Singapore: Lingzi Media, 2017.

BILINGUAL ARTICLES IN EDITED VOLUME

Quah, Syren and Hee, Waisiam eds. Memorandum: A Reader of Singapore Chinese Short Stories (备忘录: 新加坡华文小说读本). Singapore: Centre for Chinese Language and Culture and Global Publishing, 2016; Quah, Syren and Hee, Waisiam eds., Tan Danfeng trans. Memorandum: A Sinophone Singaporean Short Story Reader. Singapore: Ethos Publishing, 2019.

ARTICLE IN EDITED VOLUME

 “Zhuishu Ailangnuo de Xueshu Lvcheng” (追述艾朗诺 (Ronald Egan) 的学术旅程), in I, Lofen ed. Xueshu Jinzhen Du Yu Ren (学术金针度与人). Singapore: Global Publishing, 2015.